Horizontal abstract painting with a dominant dark green background. Three rectangular forms, red with turquoise blue accents, are asymmetrically placed. Darker, similar shapes appear beneath them, suggesting reflections or shadows. Two thin, wavy white lines traverse the canvas horizontally. The red blocks show visible impasto and scraping. — STRATA VII — NEXUS. Maurizio Valch explores spatial tension with textured red blocks and wavy white lines set against a deep green field in this contemporary abstract painting.

Horizontal abstract painting with a dominant dark green background. Three red rectangular forms with blue accents are asymmetrically distributed, with darker reflections beneath them. Two thin, wavy white lines cross the canvas from side to side. The red blocks show visible texture and impasto. — STRATA VII — NEXUS | Maurizio Valch. Contemporary abstract painting featuring red and blue forms suspended over a deep green field with incised lines.

Close-up view of the corner of a horizontal abstract painting. The dark green canvas is visible, with paint wrapping around the edge. Irregular crimson red and turquoise blue blocks appear on the front and the edge. Two thin, wavy white lines traverse the green surface. The texture of impasto and scraped areas is visible, along with the depth of the stretcher. — STRATA VII — NEXUS | A material detail revealing the canvas depth and the vibrant interplay of greens, reds, and blues in Maurizio Valch's abstract painting.

Horizontal abstract painting with a dominant dark green field. It features rectangular red blocks with blue accents and their dark reflections, over which two wavy white lines traverse the canvas. — STRATA VII — NEXUS | An abstract painting by Maurizio Valch featuring vibrant red blocks and incised lines set against a deep green field.

Horizontal abstract painting 'STRATA VII — NEXUS' by Maurizio Valch in an industrial studio. The artwork features a deep green background with three rectangular blocks in red and blue, dark reflections, and two wavy white lines. It hangs on a textured stone wall, with natural light from a large window and bookshelves visible. — 'STRATA VII — NEXUS' by Maurizio Valch. An abstract painting exploring the tension between elemental forms and a material surface within a deep green field. From the 'STRATA' series.

Horizontal abstract painting with a dominant dark green background. Three rectangular blocks, two red and one with blue tones, appear with darker reflections or shadows below. Two thin, wavy white lines cross the composition. The artwork leans against a light wall in a high-ceiling studio. — STRATA VII — NEXUS by Maurizio Valch. Deep green field, red and blue blocks, and incised lines. An abstract territory for contemplation.

Horizontal abstract painting featuring a dominant dark green background. Three rectangular shapes in red with blue accents are arranged asymmetrically, with darker reflections visible beneath them. Two thin, wavy white lines traverse the canvas from side to side. The surface of the red blocks displays texture and impasto. — STRATA VII — NEXUS | A contemporary abstract painting by Maurizio Valch, where red and blue forms float over a deep green field with incised lines.

Large horizontal abstract painting resting on a wooden floor in a studio. It displays a dominant dark green field with three rectangular blocks in red and blue. Wavy white lines cross the surface, which features visible impasto and texture. — STRATA VII — NEXUS | Maurizio Valch. A horizontal abstract painting with red blocks and incised lines on a deep green field, establishing a material dialogue with the studio space.

Published work / STRATA

NEXUS

Horizontal Composition of Spatial Tension over a Deep Green Field

Medium: Óleo y acrílico sobre lienzo
Size: 47.2 × 31.5 in / 120 × 80 cm
Series: STRATA
Orientation: Horizontal
Context studies: 8

Conceptual Note

The composition of "STRATA VII — NEXUS," a contemporary abstract painting by Maurizio Valch, invites visual immersion into a deep space. Set against a vast dark green field, the interplay between the color's stillness and the asymmetrical arrangement of elements creates a unique spatial tension. Evenly distributed light allows the chromatic intensity of the green to serve as a backdrop for the emerging forms.

Three rectangular blocks, rendered in vibrant carmine with turquoise blue accents, reveal a clear material texture through impasto and possible scraping. These shapes appear to float or settle upon the field, accompanied by darker 'shadows' or 'reflections' that suggest a duality between surface and depth. Two thin, wavy white lines traverse the canvas, introducing an organic element that contrasts with the blocks' geometry and establishes subtle horizons or fluid divisions.

This artwork is part of Maurizio Valch's STRATA series, exploring the surface as a territory of origin and transformation. The tension between the geometric and organic, and the spatial ambiguity of the blocks, evoke the stratification and elemental presence that characterize the artist's ongoing exploration. Its horizontal format of 120 x 80 cm establishes a contained and contemplative presence, offering a quiet focal point in any architectural space.

In NEXUS, the vast dark green field functions as an immersive space where the sheer chromatic intensity of the color becomes a primary vehicle for sensory experience. By utilizing this expansive, quiet backdrop to set off the asymmetrical elements, the work channels the approach of Mark Rothko, wherein reduced forms and deep color fields combine to create a silent, contemplative atmosphere. This vast expanse is subtly organized by two thin, wavy white lines that traverse the canvas, acting as delicate, organic pathways. Reflecting the spatial divisions of Barnett Newman, these minimal linear interventions break the stillness of the green field, transforming the open space into a structured arena of fluid divisions and subtle horizons. Emerging from this atmospheric space are three rectangular blocks of vibrant carmine and turquoise blue, which anchor the composition through their heavy, physical presence. The textured impasto and scraped surfaces of these blocks recall the compact, tactile forms of Nicolas de Staël, balancing pure abstraction with a tangible spatial tension as they float and settle on the canvas. Their dual nature as both flat geometric shapes and suggestive shadows or reflections creates a spatial ambiguity and stratification that defines the work's territorial depth.