A horizontal abstract painting with a dark background in deep blue and black, divided by thin white horizontal lines. Five small square elements—two outlined in white and three filled with bright red—are positioned along these lines at varying heights. A solid, vibrant red band runs horizontally across the entire bottom edge of the canvas.
Maurizio Valch, SINGULA. Acrylic and oil on canvas, 120 x 80 cm. From the SITUS series.

Published work / SITUS

SINGULA

Presence, position, and distance in the pictorial territory of the SITUS series

Medium
Pintura
Size
120 × 80 cm / 47.2 × 31.5 in
Series
SITUS Painting series SITUS 2025–Present · 4 works SITUS is a series of contemporary abstract paintings exploring the position, boundaries, and distance between elemental forms. With an approach where negative space is as active as matter, each work functions as a minimalist abstract artwork structured around lines and territorial shifts. View series
Orientation
Horizontal
Context studies
10

Conceptual Note

A dominant void of deep navy blue and carbon black defines the main surface, creating a space where visual silence functions as the primary structural force. Within this vast twilight, the viewer is invited to measure the quiet physical distances and subtle tensions established between the few suspended elements.

Fine, hand-drawn white lines run horizontally across the canvas, dividing the territory into subtle strata and gentle slopes that evoke abstract horizons. Resting on these linear boundaries are five geometric shapes of varying scales: two appear as open, linear contours, while the remaining three are solid blocks of saturated crimson red, seemingly anchored to the plane by soft underlying shadows. This sparse geometric arrangement contrasts with the bottom edge of the canvas, which is sealed by a dense horizontal band of vibrant red that anchors this contemporary color field painting.

The surface of this original minimalist abstract painting reveals a careful process of layering and glazing, where acrylic and oil are combined to achieve a rich, almost geological texture. The material treatment alternates between the opaque flatness of the geometric blocks and the subtle depth of the darker zones, where traces of scraping and direct incisions remain visible on the support.

By refusing explicit narrative, SINGULA offers a rigorous meditation on place, scale, and coexistence within the SITUS series. The geometric figures, isolated yet connected by a network of horizons, exist as quiet presences in a territory where distance itself defines the relationship between forms.