A vertical abstract painting titled STRATA IV — DECLIVIS by Maurizio Valch. It features a dominant dark red color field with visible textured brushstrokes and layers. Four intense crimson red rectangular blocks are distributed diagonally across the surface. Thin, wavy white lines, appearing incised, traverse the surface horizontally, connecting and encircling the red blocks. — STRATA IV — DECLIVIS is an abstract composition by Maurizio Valch. Deep red, precise incisions, and crimson blocks configure a material and stratified territory, reflecting the artist's exploration of surface and memory.

A vertical abstract painting by Maurizio Valch in intense red tones, featuring incised white lines and four saturated red rectangular blocks. It is displayed in an artist's studio with worn greenish-blue walls, a wooden floor, a high ceiling with skylights, and a large window. A column and a wooden stool are visible in the foreground, from a low camera angle. — In a bohemian studio atmosphere, Maurizio Valch's “STRATA IV — DECLIVIS” stands tall. Its intense crimson field, marked by incisions, forms a vibrant focal point against the greenish-blue wall, creating a dialogue of textures and contrasts.

Vertical abstract painting. A textured dark red background is traversed by multiple thin white lines, some slightly diagonal. Four small intense red rectangles with defined edges are distributed in the composition, appearing to float over the lines and background. — "STRATA IV — DECLIVIS" by Maurizio Valch is a vertical abstract painting featuring a deep red field, incised lines, and floating geometric forms. The artwork explores materiality and spatial division through a restrained palette and rhythmic composition.

A vertical abstract painting by Maurizio Valch, 'STRATA IV — DECLIVIS,' leans against a stucco wall in a spacious artist's studio. The artwork features a textured crimson field with incised white lines and dark red blocks. The rustic studio has exposed wooden beams, skylights, and wooden floorboards. A paint-splattered rug and other unframed canvases are visible in the soft background. — Maurizio Valch's 'STRATA IV — DECLIVIS' stands out in the authentic atmosphere of an artist's studio. Its deep crimson field, incised lines, and structured forms invite contemplation amid natural light and rustic details.

Vertical abstract painting. A dark, textured crimson red color field features multiple white incised lines across its surface. Four small, more intensely red rectangular blocks are distributed within the composition. The close-up view reveals the canvas texture, visible brushstrokes, and the paint's relief. — Close-up of Maurizio Valch's 'STRATA IV — DECLIVIS.' This abstract acrylic and oil painting showcases a deep crimson field interwoven with incised lines and geometric forms, revealing the material and structural essence of territory.

Vertical abstract painting by Maurizio Valch. It features a deep crimson color field with white incised lines and four intense red rectangular blocks. A black frame surrounds the canvas. — Maurizio Valch’s 'STRATA IV — DECLIVIS' is a vertical abstract painting featuring a deep red field, incised lines, and floating geometric forms. The work explores materiality and spatial division through a contained palette and rhythmic composition.

Vertical abstract painting by Maurizio Valch, STRATA IV — DECLIVIS, displayed in a studio with masonry walls and wooden beams. The artwork features a textured crimson red background, traversed by incised white lines and punctuated by four intense red rectangular blocks. An arched window, a workbench, and stacked books are visible. — Maurizio Valch's STRATA IV — DECLIVIS in an atelier, where its crimson abstraction interacts with the historic materiality of the space. The work, with its incisions and monolithic forms, establishes a dialogue on territory and structure.

Vertical abstract painting, 'STRATA IV — DECLIVIS' by Maurizio Valch, in a close-up view. The upper left edge of the 3 cm deep canvas is visible, showing crimson red paint extending onto the side. A textured front surface with white incised lines is partially seen, casting a subtle shadow on the adjacent light gray wall. — A detailed view of Maurizio Valch’s 'STRATA IV — DECLIVIS', highlighting the density of crimson red and subtle incisions. This close study emphasizes the abstract painting's materiality and physical presence.

Vertical abstract painting. A textured dark red background is crossed by multiple fine white lines, some slightly diagonal. Four small, intense red rectangles with defined edges are distributed across the composition, appearing to float over the lines and background. The canvas edge is silver and rests on a painted wooden floor in an illuminated workshop. — Maurizio Valch's "STRATA IV — DECLIVIS": An acrylic and oil on canvas artwork that structures space with fields of intense reds, incisions, and blocks of color. Its brutalist and textural aesthetic evokes inner territories and processes of transformation.

Published work / STRATA

STRATA IV — DECLIVIS

Material Tensions in a Deep Red Field

Medium: Acrílico y óleo
Size: 80 × 120 cm / 31.5 × 47.2 in
Series: STRATA
Orientation: Vertical
Context studies: 10

Conceptual Note

A vast field of deep red extends across STRATA IV — DECLIVIS, where the painterly material reveals a geography of layers and glazes. Acrylic and oil merge on canvas, constructing a vibrant surface that breathes with the pigment's density, suggesting a primal skin or ground. This contemporary abstract painting manifests as a territory of origin and transformation, aligning with Maurizio Valch's ongoing exploration of memory and materiality.

Across this expanse, thin, sinuous white lines, precisely drawn, break the color's continuity, like incisions carving through earth. These marks articulate space rather than merely dividing it, guiding the eye along a diagonal path. Puncturing this trajectory, four rectangular blocks of a more saturated crimson red emerge, simultaneously anchored and suspended, providing a formal solidity that contrasts with the lines' fluidity.

The interaction among the base color layers, incised lines, and textural blocks generates a stratified depth. This vertical material abstract painting employs tonal contrasts and evidence of impasto to create a visual tension, resolving into a contained and contemplative atmosphere. Maurizio Valch thus explores the concept of territory not as a landscape, but as a surface where memory and structure become visible, inviting silent reflection. The work sustains a tension between stillness and movement, revealing a brutalist form that, despite its rigor, retains a latent vitality. The result is an acrylic and oil on canvas composition where every element—from the canvas grain to the final stroke—contributes to the material presence of this red field.